Tracing the changes

There’s white ice now where white trumpeter swans bobbed next to Canada geese on blue-hued water only a week ago. The landscape is changing, and so is the air, colder now and riding the wind across open fields and through bare trees.

It’s cold. But there’s an allure in the briskness. It has something to do with the fascination of change and contrast, from a warm day and open water in late November to the piercing chill and first ice of early December.

Where are the swans today? As I wonder how many will fly south—some do overwinter on our open rivers—a flock of fast-winging ducks passes over on a flight due south. They fly in a V formation like Canada geese, but the ducks are constantly shifting positions in their V. Is it because they fly faster, 20 miles per hour or faster, than geese?

The ground is as hard as the thickening ice. It’s no longer warmed much by the sun, which is getting up late, going down early and staying well low in the southern sky. In another snowless December years ago, I remember the sun slanting in at such a low angle that my little dogs were backlit, outlined in a furry fringe of white against the brown grass.

The dogs paid no mind to the cold or the hard ground. Happy and seemingly incapable of complaining, the scent of a squirrel or rabbit was more important. The dogs are gone now, and I must accept the changes with no complaint. Always changes. Today I trace the sudden vastness and starkness of early winter. Wide open, cold spaces where nature takes its time to recharge. So should we.

Jays brighten the day

Maligned as it may be, the blue jay has never looked so blue or sounded so welcome a note as now across the drab woods and yards of late fall. As winter gathers on the horizon, it’s too easy to assume the countryside is devoid of color and bird sounds.

So I look anew at the jay of blue, wherever it shares its foot-long color. The bird shows at least half a dozen hues of blue in its feathers—violet and azure if you prefer—along with black, white and gray. The tail is barred in black, and on its head is a handsome crest.

I say “shows” blue because, surprise, the blue jay has no blue pigment. In an optical illusion of sorts, the jay’s melanin is actually brown, but we see it, thankfully, as blue when wavelengths pass through pockets of air and keratin in the bird’s feathers, extracting all colors except blue.

No matter what pigment, the blue jay’s colors draw attention to itself. Not that it needs color for attention, for its screech pierces the silent woods and quiet winter yards. The “noise” provides most of the reason we perceive the blue jay as raucous. I read about novelist Stephen King telling of how boredom on his walks invited creativity, so he didn’t open the book he took along “no matter how bored I felt looking at the same old trees and same old chattering, ill-natured jays…” And then I saw outdoor writer Jerry Wilbur noting that chickadees at the feeder in December can be crowded out by “bully blue jays.”

And yet, besides the cardinal, where do we go for such intense color this time of year? The blue jay gives me hope to look for more colors across the drab landscape, like the crimson of oak leaves, the orange of bittersweet, the green of pines, the red head patches of several species of woodpeckers.

I’ve seen and heard a lot of blue jays this fall. Sure, they’re noisy at times and, yes, even raucous. But from the deer stand I’ve studied and listened enough to know that when perched they also emit low mixtures of whistles and sweet chattering, and higher notes like those of a toy trumpet.

Above all, the blue jays are always pretty. And when they fly away I miss them, and wait for the next screech signaling their return of blue.

Spectrum of sunset

The clouds couldn’t agree on what color to wear, or even on their floating altitude, and so they went their separate ways. Sort of. They were still loosely connected by drafts, breezes and shifting wavelengths.

The clouds wore varying soft hues, backlit by November’s setting sun. There were clouds in cream to deep blue. Some in shades of pink, yellow and gold. Amber and mauve were in the mix, and so were rose and olive. Gray clouds soared higher, as if a curtain pulled up to reveal the show below.

These weren’t the billowing, puffy clouds against the blue sky of a summer’s afternoon, or those I once looked down on in amazement from a jet plane, an endless row of pillows illuminated by a full moon.

No, these clouds had little body, like tie-dyed shirts softly swaying in the breeze. The horizon, however, was jagged, with leafless treetops and bare branches poking into the swirl of color. Crows added another contrast, that of motion.

Clouds swapped colors and partners as the sun, though out of my sight, was surely slithering further below the horizon. Then the sun gave up on this November day. But I watched until the clouds melted together in grayness, until the corn stubble faded into the neighboring alfalfa field, until the gathering darkness absorbed the branches.

I walked through the field. There was silence as dusk put away its colors, except for a whisper in the cool air, a whisper saying good night.

A hardy half-ouncer

Weighing heavy on my mind these days is a bird that weighs next to nothing. Over the next week, the black-capped chickadee will help perk up slow hours on the deer stand as small flocks of the small bird suddenly come incredibly close, pick at buds on twigs and then move on. Once a chickadee even landed on my nocked arrow. Indeed, keeping matters interesting.

The well-dressed bundle of feathered nervousness, in black, white and gray, with pale chestnut flanks, doesn’t even weigh half an ounce. I would show some nervous energy too if Mother Nature sent me into Ol’ Man Winter weighing about the same as that quarter in your pocket.

But Mother Nature provided the chickadee with feathers full of insulation. That, and its ability to shut down its body temperature at night makes the lightweight bird a heavyweight in matters of survival.

I used to think that chickadees were too high-strung, too cautious, to loiter at the platform feeder. Cardinals and finches settle in for a meal. Chickadees grab and scurry away. But I’ve learned that chickadees often hide seeds, each one in a different spot, and can remember thousands of hiding places. So they flit about in the tree limbs and bushes—their storage units—as much as they visit the feeder.

On a winter’s night the little bird is in a tree cavity, notching down its body temperature and fluffing up its feathers. A half-ounce bird with a half-ton heater. And a mighty good memory.

A shutter flush

I tried this for fun. A camera, not a gun. It was mid-September, before the leaves got deep into painting by species. I went looking for ruffed grouse.

I have hunted grouse for years with a camera slung over my back, the telephoto lens precariously swinging into branches and bumping against my back as I crossed uneven ground. On my back the camera is of no use for taking photos of grouse on the fly. The flush happens in an instant, without notice. The camera was for the occasional deer that appears or bittersweet burning orange against autumn’s blue sky.

So I went hunting with a camera to get that first ever—which I find hard to believe—photo of a grouse in flight. If you think targeting a grouse on the fly with a shotgun is hard, try it with a camera. Autofocus is sometimes too slow, or for the person behind the camera it’s too hard to get the focus dots on the rapidly fleeing target as the lens line swings across branches and brush.

I have only a handful of live ruffed grouse photos over many years of pursuing the woods chicken. They are wary, hiding before whirling away in an unnerving racket of pounding wings. Every now and then you can sneak up on one, perhaps on its drumming log, or see a young one on the road. But photographing one in flight? That’s hard.

I wanted to “shoot” the grouse by raising my camera just as I would my shotgun. So I held the camera ready and stepped into the woods. I soon flushed a grouse, but the bird was immediately into too much brush. I moved forward for the reflush, now on high alert, my eyes darting back and forth, my finger on the shutter. I kept walking slowly to avoid the pause that will send the bird into nervous flight too far ahead.

Suddenly the bird burst from the ground. It was close but immediately put a tree trunk between me and my camera. Gone again. And then the scene repeated throughout the afternoon with other birds in other places.

I had given up, but had to walk down a narrow road back to my truck. Suddenly, in the ditch with scattered low bushes and tall, tan grass stems bending with the breeze, I saw movement. My camera came up just as the grouse did, curving away over the field. Click, click, click, click. One of those clicks captured the bird in focus. Finally, I had the photo.

Autumn against the wall

It’s late October and I want to sit on the south side of the old shed, an autumn afternoon’s slanting sunshine on my face, the weathered red boards and my shadow at my back. Today takes me back to that spot, immerses me in memories of when I soaked up the fading warmth of the sun before cold nights and the first snow that stayed under pewter clouds grimacing in the biting winds.

The shed was part grainery, part storage and always home to mice, the mice that never smelled a feed sack they couldn’t chew open. A barn cat was locked in the granary overnight for hunting duty but it didn’t buy into the job. Horse collars, long retired, hung on the wall next to a broadcast seeder that in spring had filled in the spots the wheeled oats drill missed. There was a scythe with a dull blade on the wall, and a tannish baseball inexplicably stuck into a dog collar that hung on a nail.

The sun both soothed and enhanced my senses, already saturated with fall smells of dying grass and fallen leaves. From the other side of the boards through a broken window pane came the waft of spilled oil and fresh oats. I would stare at the pasture and woods for the next passing of anxious blackbirds or a love-struck buck. Across the fields a neighbor’s dog barked. Or was that migrating geese in the distance?

In his book, “The Seasons of America Past,” Eric Sloan writes, “We have actually come to believe today that we must either progress or retrogress … there is no such thing as intelligently remaining stationary.”

I was neither progressing or retrogressing on the south side of the shed. But I remember contentment in my stationary being in late autumn’s sun.

Into the weather

I normally accept weather as it’s handed out, because weather is going to be weather whether I whine or not. So I’m gracious on the good days, stoic on the bad days. I like to ignore the rain and go for a walk, defy the cold and go for a run, and always stay out in the snow, listening for the whisper of white landing on my wool.

But I do prefer my Octobers with some measure of warmth from the slant of the afternoon sun as the crispness of morning settles into a soft breeze to stir the leaves and my ambitions. I like the color of the month, and then the branches as they bare against a blue autumnal sky, revealing nests that were the birds’ task of spring, birds and their young ones now flown away. I love the quiet gathering of darkness after a golden sunset, so still I can hear acorns fall and squirrels scurry in the leaves.

But not this October, not since that first golden week. We settled into too-cool temperatures, too much wind, chilly rain and then those 5 inches of snow on the 20th day of the month, exactly 2 months before the winter solstice. The woodland trail is soggy as I slog for firewood, and the tree stand waits for me as I wait for a bit warmer temperatures in which to hunt deer silently and still, not shivering from the chill.

Yes, I accept the weather but also wait on it, for the sun, the geese against the blue sky, and someone mentioning the last feel of summer. There is firewood to cut, grouse to flush, deer trails to find and wait along, and sandhill cranes to hear barking across the sky, winging high and southward.

The long-range forecast is favorable as Halloween week carries us into November. Favorable for sunshine and temperatures into the 40˚s, perhaps even 50˚. I count on October to exit as nicely as it entered. With that thought I’m going into the weather, hoping it comes along with some warm enthusiasm.

Hunt of many directions

All my shotgun would knock down on this day would be apples. I was hunting for ruffed grouse, but I found smooth-skinned apples, field rocks, bittersweet berries and a hornet nest. That was fine, to just let the autumn day take me in whatever direction for whatever observation it wanted me to absorb.

The tree in the pasture between the woodlot and brush was cleared of apples only as high as a deer can reach. The deer needed some help, so I beat the October winds to the task. I pointed my long-barreled shotgun straight up and tapped branch after branch. Apples tumbled to the ground and rolled to a rest in wet grass. Red on green. A deer’s delight tonight.

I headed back for the woods and the birdy-looking brush. I displaced some grouse without dispatching any. I pushed on, simply happy that a grouse hunt meanders on the whims of wings in October’s color.

Along the fence line I stumbled over a leaf-covered rock pile I did not remember being there. The rocks would be easy pickings if I wanted some in our yard and gardens. But if I took some, would I disturb the homes of weasels and chipmunks and a hundred species of insects, all burrowing in for winter?

Not far away a grayish bald-faced hornet’s nest hung from a branch about 12 feet up in a small maple tree, which was intent on shedding golden leaves and exposing nature’s construction of wonder. By this time in autumn the hornets are dead save for the queen, who will ride out winter nestled under the bark or in the crevice of an old tree. Hornets won’t use the nest again. It would look nice in the back porch. I noted the location.

The hunt moved past the bright orange berries of bittersweet vines and crimson leaves of blackberry bushes. I paused, staring at the color, wondering what direction to take. My pensive pause flushed a wary grouse. I followed its flight.

Autumn’s grace

The breeze seemed to pause along the fence line, perhaps to wonder at the same maple tree draped in hues of yellow, orange and red that had captured my gaze. Then the breeze picked up, rustling the leaves against the blue sky.

It was the perfect autumn day, swinging my moods from frustration to inspiration, anxious to gracious. And not without a hint of frustration again as I asked myself: Do I have to leave this woodland wonderland?

But I settled on the inspiring positive, tracing the soft flow of the land as it showed off brilliant color before it lets go of another season. There was a sweet contentment in the easy resignation that this was the last act, albeit a glorious one.

What is it that wraps one in heavy emotions of nostalgia and reflection on such a day in autumn? Are our memories that rich, that close to the surface, of the blazing maple hills beyond the homes of our childhood?

Perhaps the end of a season so beautiful but too short gives us cause to pause and consider our own end. If autumn all around us is so glorious, wouldn’t we wish for the same when our personal harvest is over? Do the loved ones who have gone before us come more sweetly to mind as we recall how they loved this season, how they’d love to see it again.

And so we realize how fortunate we are to be wrapped in another autumn, watching how gracefully nature moves on. A leaf falls, but it has its place on the forest floor. We would be best served to accept the same cycles of life and find our place.

Return of the pry bar

I had lost the pry bar. It went missing somewhere in the 40 acres of woods that is my outdoor sanctuary, where I cut wood and hunt for grouse and deer while watching the natural world pass by slowly and sanely.

The pry bar is 6 feet long, heavy at 16 pounds but lean and mean. I purchased it for $5 at a yard sale 20 some years ago, and ever since it has helped me argue with logs, urging them to roll over so I can reduce them to 18-inch chunks of firewood. The pry bar was my work companion and I’m sure would serve as a weapon in case of an unexpected attack.

I would normally set the pry bar against a tree when not using it, knowing full well if I laid it down it could disappear on the forest floor, which I feared had happened. So I searched that forest floor for nearly 2 years, before leaf fall and through deer hunting and early winter if there was no snow, and in early spring on the forest floor of flattened leaves. I even offered a cash reward during deer hunting for any family members or friends stumbling across it.

It didn’t turn up. I tried to remember every spot where I had cut firewood that fall, and I kept searching those areas. But nothing. I became resigned to the fact that I would never find the pry bar, or that when I did it would be 20 years down the road when I can only walk the woods, not work the woods. I promised myself I wouldn’t curse the late find, but instead pass the tool along to a younger woodcutter who could use it, who would be fortunate to have the same woodland opportunities that I have had.

But it was only two years down the road when one spring day, while surveying the woodlot as it rid itself of the last remnants of winter, when I saw the pry bar leaning against a tree. I couldn’t believe my eyes. Jubilation! I had set the bar so upright that it was hard to see against the big tree trunk, and it was on the opposite side of the narrow tote road that so many of us walked so many times during the hunting seasons.

Reunited, we went back to working together, the pry bar and me, last spring and now into this fall. My work companion had been faithful, staying right where I put it, waiting through the seasons for me to return. Someday someone else will own the pry bar, but not before they know the full story.